I enrolled at a local community college this semester. Pretty big step for me. I've always wanted to finish my degree and with my two sons now at ages where they are pretty much self-sufficient, I can dedicate the time I need to doing something for me. I attended college in Fairmont, West Virginia for a year pursuing a degree in Criminal Justice. I thought I would go back and pick up where I left off. The only problem is I'm worried I don't feel as passionately about it as I did when I was younger. It's still a very fascinating field to me but I'm not sure how I feel about pursuing it further. I'm giving myself this semester to figure that out. What I'm really enjoying is my Literature Based Research class. I've got a great professor and an aptitude for English, Language and Grammar. I'm entertaining the idea of studying Technical Writing and trying to publish a few of my own works on the side. Time will tell.
In my Literature class, we keep a response journal of the works we read. This weeks assignment was to view a piece of artwork and read a corresponding poem. We were given about 10 to choose from and I thought I would share with you my selection and my response.
The above painting is by Pieter Brueghel, entitled Landscape with the Fall of Icarus. The corresponding poem is by W. H. Auden entitled Musée des Beaux Arts.
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.
1940
Here is my response.
In the story of Icarus, a character form Greek mythology, you learn that he was made a pair of wings from wax and feathers to escape from
W.H. Auden refers to Brueghel’s painting in the poem Musée des Beaux Arts. The author explains in the first 4 lines how suffering occurs all the while “someone is eating or opening a window or just walking dully along”. Life continues no matter the tragedy or excitement around us. Auden uses the painting as an example of human apathy - “Everything turns away quite leisurely from the disaster”. Quite leisurely suggests a sense of no regard whatsoever. He describes in lines 15 through 17 how the ploughman probably heard the splash and the cry of Icarus, but it didn’t really affect him. So he chooses not to be engaged by the activity. He goes about his business. Even the ships, having witnessed something so dramatic “had somewhere to get to and sailed calmly on”.
Both the poem and the painting make me think about the human condition. As fellow humans suffer, we continue our self-centered lives and turn away from or simply don’t even acknowledge the torment of those around us. It’s easier to not get involved. When we are not immediately affected, then it’s none of our business or not worth our time and energy.



